Family matriarch Gloria has died, and her family gathers for the traditional Jamaican Nine Night, a multi-day celebration (and endurance test) full of food, revelry, and a nonstop parade of mourners. Natasha Gordon’s debut play—a popular triumph in its 2018 National Theatre premiere and subsequent West End run—explores the tensions of inhabiting two cultures, the inescapable bonds of family, and the many layers of grief in an “exuberantly funny” (The Guardian) and profoundly relatable story of the ties that bind. Raved The Guardian’s Michael Billington, “Playwrighting debuts don’t come much better than this.”

Round House continues to require that patrons wear face masks while attending performances.